At Billingsgate Fish Market with the Canon C300, Rodney Charters and Lan Bui

We shot a bit more footage at Billingsgate Fish Market yesterday.

What a great camera to handhold...particularly when no tripods are allowed.

We were lucky enough to have Rodney Charters, the DP of '24' along for the ride and he shot this short BTS video of us in the market.

Much more to come.



Back to New Years eve..

My goose is well and truly cooked - A left field short with the Canon C300

No executions in the desert

No gang fights

No CGI

Just real life at Christmas.

I was cooking dinner for six after pounding the phone to set up our main feature.

Lan Bui was keen to video me cooking the sublime but simple 'Michaelemas Goose' from the award winning 'Loose birds and Game' by Andrew Pern.

So all pretty fraught on the cookery front has you might imagine.

But just check the video out.



Filthy,horrid, florescent lighting but the Canon C300 just shone.

Once again Apple's FCP X made for rapid colour correction

The whole thing was shot using Canon Log mode, which gives 14 stops dynamic range.

14 Stops....

Anyhow off to bed right now as we are up super early for what should be a fun shoot over the next 2 days.

More adventures with friends old and new.

With more than a sprinkling of Hollywood on hand.

What a tease I am, stay tuned and all will be revealed.

Our first video with the Canon C300

Lan Bui shot this beautiful sequence titled 'Grand Union Canal'

It is exceptional in many ways.

Primarily in that it was shot in under an hour.

Read his blog for full details of the gear used.



But aside from that it is an eye opener to just how well this camera works with existing Canon glass which you may well already own.

This is a big, big deal.

Yes, I know it is obvious, but when the penny drops....

We have been organising permissions for our 'main' feature shoot's

Doing this over the Christmas period has been a challenge to say the very least.

Canon C300 Day 2- Discussing the strengths and weakness's, as I cook dinner.

We shot a little bit of footage yesterday on the Canon C300 which we will be posting a little later on today, we think it is an EXCELLENT camera.

But we wanted to share a conversation we were having about the Canon C300 as I was cooking dinner.

As we thought people might find it interesting.

Is it just a glorified DSLR? What about the Sony F3 shooting 10 bit? (Phillip Bloom touched on this in his review)

Have a look and join the debate



As I said more footage on its way later today......

Joining the fortunate few - Having a Canon C300 on loan

It should really say joining the VERY fortunate few.

Lan Bui and I have a Canon C300 on loan.

It arrived on Friday and we will be putting it thorough its paces over the next few days.

So many things to try, so little time.

You can see our very first impressions of what promises to be a truly remarkable camera.


I say promises as we have not had chance to shoot anything just yet.

We will be shooting a couple of shorts and running some tests too.

In fact we have to get back to that...right now.

Please do ask any questions and we will do our very best to answer them.

Changing your mind about the Canon C300

The much trailed Hollywood 'Historic announcement' which heralded the launch of the Canon C300 and strategic announcement by RED of the Scarlet X.

The amount of negative comments regarding the C300 were many.

And from people who had never used it.

One which stood out for me, and was often quoted was by Nino Leitner

He said in a blog post on November 4th

RED announces SCARLET X, totally blows Canon C300 out of the water

Ouch!

Strong stuff.

Pretty unfair I thought too.

Fast forward to early December and Nino was one of the lucky select few who got their hands on a C300 and made this really cool short with the C300 

He posted tests and BTS on his blog too.

Informative and enjoyable stuff.

But I still had the inflammatory 'Dead in the water' comment in my mind.

So I Tweeted him.

The conversation went like this....

Drew Gardner @Photogardner13 Dec

interesting to see that @NinoLeitner says that the Canon C300 will be his next camera, having previously said 'It was dead in the water'

Nino Leitner @NinoLeitner

@Photogardner yep I changed my opinion 180 degrees after I worked with it. I still think it's a bit overpriced, but it fits most of my needs

Nino Leitner @NinoLeitner

@Photogardner RED Scarlet is great, but overkill for 95% of what I do - also the additional investments in postpro hardware are considerable

Drew Gardner @Photogardner13 Dec

@NinoLeitner just messing with you :) it is bloody fantastic isn't it? Really enjoyed your 'cigarette' short and informative comparisons

Nino Leitner @NinoLeitner

@Photogardner thanks mate! Yeah it's really great

So as you can see Nino has been won over by the C300 and he is a good guy as well as a top film maker.

As a foot note, one really has to wonder what was going on with the whole unfortunate episode with the RED community and Phillip Bloom.

One of the most influential video voices on the web had a RED Epic, and he doesn't anymore.

How on earth could RED have let this happen?

Phil's comments regarding the RED Epic and RED Scarlet would have been difficult to take but they were in my opinion at least fair and considered.

The words of Lyndon B. Johnson in regard to FBI director J Edgar Hoover came to mind...

'It's probably better to have him inside the tent pissing out than outside the tent pissing in' 

With Phil heading off to France for a week with a pre production Canon C300, one cannot help but think the chill wind of this spat will be felt by RED for a long, long time to come.

L'Oreal/UNESCO 'For Women in Science Video' shot with Canon DSLR's...with a little help from the XF 305

I was commissioned to shoot a video for a very cool project earlier this year

The L'Oreal UNESCO 'For Women is Science' award which aims to 'promote and highlight the critical importance of ensuring greater participation of women in Science'


Every year a bursary is given to four women in the UK and in other countries around the world to help women fund their research.

In this world of increasing sexual equality there are still a great disparity of women working in science, so this is a particularly cool programme.

The subject of the short film was Dr Heather Whitney who is studying iridescence in plants.


Iridescent plants have to been seen to be believed.

It was a particularly challenging project as it involved everything from interviews to working in glasshouses to shooting slow motion of insects.

This project used just about every video capable camera I own (as well as a loaner Achromatic Phase One back)


We shot parts of the interview on a Canon XF305 but apart from that it was a Canon DSLR only zone as we wanted to use a shallow depth of field and the light weight of the camera's enabled us to have a bit of fun by making out own Jib Crane, as though the shoot was on a very tight budget we wanted to do some imaginative shots but more of that later.


Kit List for the Shoot


Camera's 


Canon XF305 Used for tight shot in the interview that we we did not have to worry about audio


Canon 5D MkII for just about everything else


Canon 550d  To shoot 60p slow motion of the bees.


Audio


Rode NTG-3  Mic for interview, great Mic at a great price


Rycote Mic Mount. say goodbye to handling noise




Lenses

Canon EF 'L' Series 100mm F2.8 this lens ,which could just be the sharpest lens I have ever used, was used many, many times.

Canon EF 'L' Series 24-105mm F4 Useful all rounder for all the other bits.

Canon EF 'L' Series 16-35mm F2.8 This lens was used for the Jib Crane Shot.

Lighting


Chimera Triolet 1k with a Chimera Medium Softbox, key light for the interview


3 x Mini Litepanels  We used these for back light in the interview and the Bee sequence


California Sunbounce Small reflector For fill on the interview and also some of the  glasshouse shots.


Tripods


Manfrotto 546 MVB  I use this for just about everything that involves video


Manfrotto 536 MPRO Great on the uneven ground of the Glasshouse




Other Stuff


Manfrotto Stacker Stands 1005BAC So strong, but so neat and tidy with the added bonus that they don't make a horrid rattle when packed in the car 


Kessler Crane Pocket dolly.Great value, I take it on all my movie shoots.
I use this a lot as it lends a whole level of production to shots. We used this extensively in the glasshouse and for the bee going down the tube and for the specimen shot in the glass case. I have taken this all over the world and it is a very valuable tool....big bang per buck.


Manfrotto Avenger A475B.  We used it to mount a camera on to hang over the spiral stair case as you will see. If I had one light to use for the rest of my life it would be this one. There truly is very little you cannot do with it. It does cost more than the 'normal' Manfrotto 420B boom stand but is capable of taking much higher loading thanks to its rectangular legs, one of which is adjustable meaning you can set it up on uneven ground or even stairs. There is a modest weight penalty over the 420 too, but I can live with that.


Manfrotto Avenger A4050 CS. A large boom stand of seemingly limitless versatility which we used to support the home made jib crane.

Zacuto 'Z' finder. shooting video is fun, but better to know if it sharp! The 'Z' finder is THE difference when shooting video...perfect for 'Run and Gun' if you buy just one accessory for DSLR shooting it should be this.


Zacuto EVF. Which is one of those that you thought you would never need and when you have one you wonder how you ever did without.

I opted for the EVF 'flip' which has the added advantage of being able to 'Flip' the 'Z' finder out of the way and use it as a 'mini monitor' (if you don't have a 'Z' finder already they do a Pro bundle which works out a little cheaper)


Here is Lan getting down with the beetles with the EVF Slider combo.

Ah yes, the jib crane.


We wanted to add some production value to the shoot without going down the rental and pushing the budget.


How to do it?


I have an excellent and very strong cantilevered lighting boom made by a company called Red Wing.

Normally I use it in conjunction with large Chimera softbox, Chimera Octoplus or Elinchrom Octa for laying down lots of soft light from on high, for this application it is truly superb.


But Lan Bui and thought we might be able to modify it and put a Canon 5D MkII with the 16-35mm F2.8 (we duct taped the lens at 16mm)


To adapt the Red Wing boom end to take the camera lens comboI used a circular Manfrotto clamp, put the shaft from a floor stand through it and then used a super small mini tripod head on it which was just able to do the job without weighing too much.


Are these the optimum components ? No, but they are what we had to hand.


Control was never going to be easy as it was not built for the job so it was a matter of practice


Here are our practice sessions in my back yard.





Lan became quite competent with this rather unique set up in the back yard but we did not factor in how difficult it was going to be when we used it in the glass house of Cambridge University with all of the trees and plants to contend with, and an earth floor.


With a bit of steadying in post though I thing we pulled it off though.


We used the Zacuto EVF on a long HDMI cable to monitor the shot, it was invaluable.


Not only did the Zacuto EVF play a staring role from on high it was great for the low shots of Dr Heather Whitney going up the stairs.When you are lying flat you just cannot monitor the shot with the camera's LCD and the EVF plays it part again. It is highly recommended as it is so light and compact you barely know you have it in your bag. 


The macro Bee photography was where the Canon 550d came in with the 100mm Macro, used again with the Zacuto EVF and the Zacuto 'Z' Finder which I used for a long time prior to having the EVF


With the Litepanels inside the Bee tank.


We shot the sequence at 60p and slowed it down to 25p in Cinema Tools then in FCP X we slowed it down to 50 percent of that, so around 125FPS.


Here is the before and after







FCP X has some great features and for the money it is a bargain, no plug in needed for this.


Music was by the talented Douglas Black Heaton, a man whom is never far away from any of my projects....including the forthcoming documentary.