Tuesday, 23 October 2012

Possibly the best time lapse. Ever.

 Time lapse is ubiquitous.

And quite rightly so.

Along with it's cousin super slow motion, I cannot think of a better way of capturing the passing of time.

I like many others tend to use it as a quirky bit of fun instead of using it as a narrative.

In fact examples of time lapse that truly tell a story are relatively few and far between.

When the space shuttle flew into Los Angeles for the last time it made one of the great photo ops of the year.

The juxtaposition of something big and that is normally in space was a sight to behold.

Bryan Chan pho editor and photographer at the 'La Times' shot a multi view time lapse of the shuttles final journey.

It really is outstanding.

He tells the story here in the LA Times blog.

As you will read planning is all.

Time lapse can be child's play, but when used to tell a story of an historic journey it is a very powerful tool.

Friday, 19 October 2012

Hands on and samples from the Phase One 28mm and 240mm LS lenses.

I was fortunate enough to get some hands on and real world experience with the 28mm and 240mm LS lenses, the two latest pieces in the jigsaw puzzle from Phase One.

One that I knew I wanted and had been hoping they would make, the other a lens which I did not know I wanted until I used it.

In my forest series I have often used the quite brilliant 28mm F4.5 lens which is very sharp and remarkably little distortion. Importantly it gives full coverage of Phase One's biggest sensors, which is not the case with Hasselblad's offering, and played a small but significant part in my switch to Phase One a few years back.

 28 mm LS f/4.5 Aspherical

I used it on the Zebra shoot.

I have been in many situations where my widest lens was not quite wide enough and I hankered for a 28mm.

It has very low distortion for a medium format lens of its focal length too.

For all its strengths it did have one glaring shortcoming, in my eyes at least.

It had no leaf shutter, meaning I was stuck at 125th sec with my Elinchrom Rangers and on occasion it could be very frustrating.

A few years back when I suggested they make a version with leaf shutter I have to admit they did look at me somewhat sideways in a sort of 'why on earth would you want one of those? kind of way.

Well now they have done it and it is wonderful.

What photo opportunity did Phase One come up with to demonstrate the benefits of the 28mm with a leaf shutter?


Phase One CEO Henrik Hankonsson would put some sort of nasty flammable liquid in his mouth and breath fire, hopefully without setting himself or me on fire.

It might look like quite simple but it was a bit scary.

Its difficult to imagine another CEO of any company at all doing this for a photo and it does give you some sort of idea of the man AND the company.

Here is a 100 percent screen grab.

It was a little bit windy and the consequences of the fire blowing back into HH's face did not bear thinking about, so the location chosen for the shoot was a sheltered area in a former Danish military installation dating back to the Cold War.

It was one of those shoots where we had to get it right, I did not want to hit the headlines for all the wrong reasons...

The area was a bit on the tight side as you can see so the 28mm was just the tool for the job, the leaf shutter meant I could shoot at 500th sec with big flash.

I lit the shot with two Profo 7B's.

Key light from the left with the back light on axis, the key light with a soft box, the back light bare bulb, using the built in kill spill.

I located them both very close to the walls of the bunker to give maximum stability and safety.

I will admit this shot took a couple of attempts.

When we all climbed back into the car unscathed I breathed a BIG sigh of relief.

Time then to get some hands on with the Phase One Schneider LS 240 mm f/4.5 the longest available telephoto lens for the Phase One 645DF camera. 

There has been a telephoto sized gap in the Phase lens line up and this lens was keenly awaited.
240 MM LS F/4.5 IF

Which at first glance, a slightly curious focal length lens, I can't think of another 240mm very easily.

The boffins at Phase were particularly interested to see what I made of it for a couple of reasons.

It was designed as a 240mm as this was found to be the optimum during the design process.

The resulting performance is remarkable.

When shooting on medium format I normally don't gravitate to the telephoto view, I tend to hover around the 120mm and wider, so while interested I did not think I would be THAT interested.

A brief walk around the streets of Copenhagen had me thinking a little differently though.

This is a really super sharp lovely lens with beautiful bokeh.

Here is 100 percent screen grab.

The internal focus mechanism works a treat and though it is not the lightest of lenses, weighing in at 1.6 kg/3.53lb's hand holds very well indeed, making a very stable package with the Phase One DF.

The AF seemed very snappy too, and on the new DF+, which I have not tried yet, one would imagine it would be even better.

One of the major failings of medium format lenses of this focal length is that they do not focus close enough.

This one does.

A close focusing distance of 170cm/5ft takes it well into the realms of a creative portrait lens.

My only slight reservation is the lack of a separate tripod mount for the lens.

I did not have chance to try the lens mounted on a tripod but the engineers at Phase One assured me this was not an issue due to the balance of the camera back /combo.

Lenses of this quality and calibre don't come cheap, and while I'm unsure of the final pricing of them, but I have never bought a Phase One LS lens and regretted it.

I have placed my order for the 28mm LS and look forward to shooting some more forest shots on it soon.

Wednesday, 3 October 2012

Purple fringing and the iPhone 5

Like many, I have been following the launch of the iPhone 5 with great interest.

I must stress I do not have one but it seems like a fine piece of kit, indeed everyone I know who has one is generally very happy.

There does not seem to be a day that goes by with out some new glitch being seized upon by commentators, some very valid-like the iOS6 maps which really do need quite a lot of work to bring them up to scratch( I looked for Whitstable on maps the other day three times and it just would not take me there)

But there are others which, I feel are a little unfair or unrealistic.

Which brings me on to Purple Fringing the latest 'Achilles heel' of the iPhone 5.

Since the dawn if digital photography I have owned many Camera's and lenses which have been susceptible to purple fringing.

In no particular order Canon DCS520, Canon G series (up to G5) and one of my favourite lenses the 'L' Series 85mm F1.2 has its moments when used wide open.

I'm not picking on Canon, it's just what I have owned and used.

Purple fringing or different chromatic aberrations did not make any of these Camera's or lenses 'bad' but merely a fact of life that with a little manipulation one could get over relatively easily

(Capture One has a great 'Remove purple fringing' option which often works very well indeed)

So why bother talking about it?

I find it amusing that as the Camera's in phones improve all the time, people have sky high expectations of them and really need to do a reality check.

It is a camera and is subject to the same photographic laws as any other camera.

There have been chromatic aberrations since the dawn of photography so we might as well all just get on with enjoying this amazing technology at out fingertips.